Tetsuo shinya tsukamoto pdf

ActA Univ. SApientiAe, Film And mediA StUdieS, 12 (2016) 167–189 DOI: 10.1515/ausfm-2016-0009 Media-Morphosis. com Abstract. Operating self-suficiently on the fringes of the Japanese ilm industry for almost his entire career, the work of independent ilmmaker Tsukamoto Shinya1 is perhaps best-known for its uncompromising, musical freneticism, as well as its corporeal spectacle. However, Tsukamoto’s dynamic clashing of visual media signiiers, such as those of theatre and television (industries within which he also operated prior to his ilm career during the 1980s), and how these impact upon his relexive cinematic style, has yet to be fully considered. Drawing on Laura Mulvey’s conception of the ‘uncanny’ in response to cinema’s potential to confuse animate and inanimate, as well as Tsukamoto’s own under-discussed background in experimental street thea

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